![]() ![]() ![]() Kim is known for his interdisciplinary work, incorporating installation, video, performance, music, light and drawing. The exhibition is supported by Sotheby’s and runs from 18 July to 28 October 2012.]]> Sung Hwan Kim at Tate Modern’s ‘The Tanks’ Korean artist Sung Hwan Kim presents the first specially commissioned installation to be unveiled in The Tanks, Tate Modern’s new galleries permanently dedicated to performance and film. The Tanks, Tate Modern’s new space, with artist Sung Hwan Kim. For access to the spaces, the architects cut new openings into the raw walls and left the edges exposed as an evidence of their intentional manipulation.Washing Brain and Corn, Sung Hwan Kim, 2010, video still ![]() Herzog and de Meuron tried to minimalize interference with the Tanks, as original patina with all its stains, marks and discoloration was preserved and, new concrete necessary for structural reinforcement, blends subtly into the overall patchwork. Yet, their charm lies in their roughness and their history is revealed through their exposed nature. Sculpted from raw concrete, these tanks seem to be in direct opposition to the pristine and formal geometry of existing white gallery spaces found above ground. “From the beginning, Tate’s and our objective for this new project has been to fuse the extension with the power station’s past and history, so that like the original conversion, it would always refer back to the building as it once was, which was rough and industrial,” explained Herzog and de Meuron. Upon a site visit over ten years ago, Herzog and de Meuron were captivated by the potential of the power station for their ability to merge the history of the site with its contemporary purpose. ![]()
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